Bitte verwenden Sie diesen Link, um diese Publikation zu zitieren, oder auf sie als Internetquelle zu verweisen: https://hdl.handle.net/10419/309330 
Erscheinungsjahr: 
2016
Quellenangabe: 
[Journal:] Finance and Society [ISSN:] 2059-5999 [Volume:] 2 [Issue:] 2 [Year:] 2016 [Pages:] 138-150
Verlag: 
University of Edinburgh, Edinburgh
Zusammenfassung: 
In this essay we propose a reframing of the Bloomberg Terminal, an interface used to track financial trades and values, by using it as a creative, critical and curatorial device to explore the relationship between the art and finance. To contextualise this approach, we offer a history of the Bloomberg Terminal alongside an analysis of the power of interfaces to shape both the user and the represented information. We use the terminal as a way to critique the relationship between art acquisition and financial trading companies. We then describe some outcomes of a series of workshops themed around the idea of "building an alternative Bloomberg". We conclude by offering some potential applications of a re-framed Bloomberg Terminal as an open and modular interface for engaging with issues around art and finance, both in terms of content and curation.
Schlagwörter: 
Curation
interfaces
art market
open-source
representation
value
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