Please use this identifier to cite or link to this item: http://hdl.handle.net/10419/216074
Authors: 
Azzellini, Dario
Greer, Ian
Umney, Charles
Year of Publication: 
2019
Series/Report no.: 
Working Paper Forschungsförderung No. 154
Abstract: 
Online platforms have disrupted parts of the capitalist economy, with allegedly severe consequences in the world of work. This study examines live music in Germany and the UK, where online platforms do not dominate, despite considerable digitalization of market intermediaries. The analysis shows that, as the degree of digitalization increases, matching services tend to work less as a workers' representative – which is traditionally the case for live music agents – and more as a force of marketization that disciplines workers by orchestrating price-based competition
Subjects: 
platform economy
creative work
digitalisation
marketization
live music
digitalisation
Persistent Identifier of the first edition: 
Creative Commons License: 
https://creativecommons.org/licenses/by/4.0/de/legalcode
Document Type: 
Working Paper

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