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dc.contributor.authorTraub, Stefanen
dc.contributor.authorMissong, Martinen
dc.date.accessioned2009-01-29T14:13:12Z-
dc.date.available2009-01-29T14:13:12Z-
dc.date.issued2003-
dc.identifier.urihttp://hdl.handle.net/10419/21988-
dc.description.abstractIn this paper, we present a model in which the performing arts are modelled as congestible public goods. In accordance with empirical evidence, the production of seat capacity is assumed to be subject to fixed costs. We estimate the parameters of the model's demand and cost functions using German data. Using these estimates in a subsequent social choice analysis, we show that the current situation in the German performing arts sector is best described by a directorship that under the influence of a selfish theater lobby maximizes only the welfare of the spectators. Such an equilibrium, characterized by too low ticket prices and too large capacity, is most likely to establish if citizens have a very positive ex ante notion of the performing arts.en
dc.language.isoengen
dc.publisher|aKiel University, Department of Economics |cKielen
dc.relation.ispartofseries|aEconomics Working Paper |x2003-02 [rev.]en
dc.subject.jelZ10en
dc.subject.jelD71en
dc.subject.jelH40en
dc.subject.ddc330en
dc.subject.keywordPerforming Artsen
dc.subject.keywordPublic Facilitiesen
dc.subject.keywordCongestionen
dc.subject.stwTheateren
dc.subject.stwKommunales Unternehmenen
dc.subject.stwKulturökonomiken
dc.subject.stwBottlenecken
dc.subject.stwKulturfinanzierungen
dc.subject.stwWillingness to payen
dc.subject.stwPublic Choiceen
dc.subject.stwTheorieen
dc.subject.stwDeutschlanden
dc.titleOn the Public Provision of the Performing Arts-
dc.typeWorking Paperen
dc.identifier.ppn481657142en
dc.rightshttp://www.econstor.eu/dspace/Nutzungsbedingungenen
dc.identifier.repecRePEc:zbw:cauewp:2850en

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